A discussion with Arthur Nauzyciel, writer and Jean Genet specialist Emmanuelle Lambert and historian Patrick Boucheron.
A monster of a work, ambiguous, disturbing and provocative, Jean Genet's Les Paravents has kept many directors at a distance. Written in 1961, at the height of the Algerian war, Genet's play caused one of the biggest scandals in theatre history when it was first performed by Roger Blin in 1966. What can we say about its political charge today? How can we make this writing of disorder heard?
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