With
Pascal Batigne, Juan Crespillo, Sylvia Etcheto, Olivier Horeau, Isabel Oed
In 1967, Madeleine Renaud and Jean-Louis Barrault converted one of the theatre's foyers into a performance space. It was renamed the ‘Petit Odéon’. This small quarter within the big theatre became a place devoted to contemporary work and new writing. Once again, it fulfils this role in order to welcome Marie-José Malis. The director will take over the space for three months to present Pièces élémentaires. The aim is to revive the tradition of studio theatre by transforming the space into a place of experimentation, a laboratory in the service of theatre.
Cast
lighting designer
Jessy Ducatillon
sound designer
Solal Mazeran
spaces
Jessy Ducatillon, Adrien Marès, Marie-José Malis
costume designer, masks, make-up
Pascal Batigne
production
compagnie La llevantina
coproduction
Odéon Théâtre de l’Europe, Comédie de Genève, compagnie PallakschPallaksch, Théâtredu Beauvaisis — scène nationale
f
1984 First love, friendships and discovery of the festival, in my village. I play Péguy's Jeanne d'Arc with the Lycée Arago de Perpignan troupe directed by Messrs Cauquil and Mallet.
1991 Tadeusz Kantor retrospective in Paris. At the end of my studies at Ens-Ulm, I leave to work in Russia and Estonia, at the very end of the USSR.
1994 Creation of the La Llevantina company thanks to the Estagel Festival (66); decisive encounters with the actors and technicians who still make up the company today.
2014-2015 Creation of Hypérion in Avignon. “Crise migratoire": creation with foreign workers and French friends of École des Actes - experimental and militant cultural microinstitution.
2018 Mort de mon père. Discovery of the École de psychanalyse des forums du champ lacanien.
