Over the last thirty years, Myriam Gourfink has been exploring slowness, stretched out over an "undulating" period of time. Audiences at the Petit Odéon will have the opportunity to see Frissure, Arche, and Almasty, set to Kasper T. Toeplitz's bass noise. These three floor-based pieces refuse the body's uprightness in order to look into its foundations. In doing so, the body becomes a place of resonance — and movement, a time for listening.

Cast

choreography
Myriam Gourfink

general stage manager
Zakariyya Cammoun

administration, production
Amandine Bajou

communication
Cédric Chaory


Five dates

In five biographical layers, dated according to a period of identification with an inner animal that emerges spontaneously through dancing.

Animal Dragon: The electric guitar and bass orchestra, Sleaze-Art, by Kasper T. Toeplitz at the Ménagerie de verre. Gianna Dupont’s Yoga for Women at the École Française de Yoga.

Animal Saber-toothed tiger Karlheinz Stockhausen: Klavierstücke.

Animal Water buffalo Discovery of a monumental collection of human gestures: Phill NIBLOCK – The movement of people working.

Animal Hyena with a pearl necklace Reading of Dire I II by Danielle Collobert

Animal Whale: Composing in dance: a study with Yvane Chapuis and Julie Perrin of the methods and practices of nine choreographers – Marco Berrettini, Nathalie Collantes, DD Dorvillier, Thomas Hauert, Rémy Héritier, Daniel Linehan, Laurent Pichaud, Loïc Touzé, Cindy Van Acker.